Performing arts, Table, Grey, Entertainment

(2023) 11 mins.

Directed by Ahmad Alyaseer                    

"A father and mother are faced with the painful task of washing and shrouding their deceased transgender daughter. Shrouding is an Islamic religious practice that is deemed obligatory to carry out upon death. But when no one agrees to wash her and shame falls onto the family, how far is the father willing to go to make sure his "son" is washed?"

Ahmad Alyaseer’s OUR MALES AND FEMALES Sets Sights on the OSCARS®: An Emotionally Charged Story of Gender Identity and Grief in the Middle East.

An Oscar® Qualifying Short Film That Leaves Audiences Awestruck.

115 AWARDS

152 FESTIVALS

45 COUNTRIES

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FOR YOUR CONSIDERATION

BEST LIVE ACTION SHORT FILM

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ABOUT THE FILM

Original Title: Wa Thakarina Wa Unthana

Country of Production: Jordan

Duration: 11 min

Production: Film & Telfaz Productions

Language: Arabic

Genre: Drama

Film Category: Short, Fiction, Live Action

Sales Enquires: Ouat Media

Press Enquires: London Flair

FESTIVALS & AWARDS

CLERMONT-FERRAND INTERNATIONAL FILM FESTIVAL

Clermont, FRANCE | Europe Premiere
In competition ‘International Competition’
Academy Award® Qualifying Festival

SLAMDANCE FILM FESTIVAL

Utah, USA | World Premiere
In competition ‘Best Narrative Short’
Academy Award® Qualifying Festival

NASHVILLE FILM FESTIVAL

Tennessee, USA | Tennessee Premiere
WINNER ‘Best Narrative Short’
Academy Award® Qualifying Festival

PALM SPRINGS INTERNATIONAL SHORTFEST

California, USA | California Premiere

In competition

‘Best Live Action Under 15 Minutes’

In competition ‘Best LGBTQ+’

Academy Award® Qualifying Festival

INDY SHORTS INTERNATIONAL FILM FESTIVAL

Indiana, USA | Indiana Premiere

In competition ‘Narrative Short’

Academy Award® Qualifying Festival

ATHENS INTERNATIONAL FILM AND VIDEO FESTIVAL

Ohio, USA | Ohio Premiere

In competition ‘Narrative Short’

Academy Award® Qualifying Festival

FLORIDA FILM FESTIVAL

Florida, USA | Florida Premiere

In competition ‘Best Narrative Short’

Academy Award® Qualifying Festival

CLEVELAND INTERNATIONAL FILM FESTIVAL

Ohio, USA
In competition ‘Best Live Action Short Film’
Academy Award® Qualifying Festival

REGARD SAGUENAY INTERNATIONAL SHORT FILM FESTIVAL

Quebec, CANADA | Canadian Premiere
In competition ‘Parallel Competition’
Academy Award® Qualifying Festival

SHORT SHORTS FILM FESTIVAL & ASIA

Tokyo, JAPAN | Japan Premiere

In competition ‘Best International Short’

Academy Award® Qualifying Festival

ODENSE INTERNATIONAL FILM FESTIVAL

Funen, DENMARK | Denmark Premiere

NOMINATED - ‘Best International Short’

Academy Award® Qualifying Festival

TIRANA INTERNATIONAL FILM FESTIVAL

Tirana, ALBANIA | Albania Premiere

In competition ‘Best Fiction Short Film’

Academy Award® Qualifying Festival

THE WOODSTOCK FILM FESTIVAL

New York, USA | New York Premiere

In competition ‘Best Short Film’

Academy Award® Qualifying Festival

SHOW ME SHORTS FILM FESTIVAL

Auckland, NEW ZEALAND | New Zealand Premiere

In competition ‘Best Short Film’

Academy Award® Qualifying Festival

BRONZELENS FILM FESTIVAL

Atlanta, GEORGIA | Georgia Premiere

Academy Award® Qualifying Festival

SHORTS MEXICO

Mexico, MEXICO | Mexico Premiere

IRIS PRIZE LGBTQ+ FILM FESTIVAL

Cardiff, UK

NOMINATED - ‘£30,000 Iris Prize’

BAFTA Qualifying Festival

CORDILLERA INTERNATIONAL FILM FESTIVAL

Nevada, USA | Nevada Premiere

WINNER - ‘Best LGBTQIA+ Award’

NOMINATED - ‘Best of Festival - Short Film’

NOMINATED - ‘Best International Short Film’

NOMINATED - ‘Best Director Short Film’

BOSTON SHORT FILM FESTIVAL

Massachusetts, USA | Massachusetts Premiere

WINNER - ‘Best of Festival - Short Film’

WINNER - ‘Best LGBTQ+ Film’

DALLAS INTERNATIONAL FILM FESTIVAL

Texas, USA | Dallas Premiere

WINNER - ‘Audience Award’ for Best Drama Short

WINNER - ‘Special Jury Prize’

PORTLAND FESTIVAL OF CINEMA, ANIMATION & TECHNOLOGY

Oregon, USA | Oregon Premiere

WINNER - ‘Best Dramatic Short’

SHORTS - INTERNATIONAL FILM FESTIVAL - MAREMETRAGGIO

Trieste, ITALY | Italy Premiere

WINNER - ‘Audience Award’ for Best Short

PSAROKOKALO INTERNATIONAL SHORT FILM FESTIVAL

Athens, GREECE | Greece Premiere

WINNER - ‘Best Film with Emphasis on Diversity’

DOKUFEST INTERNATIONAL DOCUMENTARY AND SHORT FILM FESTIVAL

Prizren, KOSOVO | Kosovo Premiere

In competition ‘Best Short Film’

BAFTA Qualifying Festival

FESTIVAL INTERNATIONAL CINÉMA EN LIBERTÉ

Toulon, FRANCE

WINNER - ‘Grand Prix Du Jury’

LA GUARIMBA FILM FESTIVAL

Amante, ITALY

WINNER - ‘Best Short Film’

FESTIVAL INTERNATIONAL SIGNES DE NUIT

Bangkok, THAILAND | Thailand Premiere

WINNER - ‘Signs Award’

FEST - NEW DIRECTORS/NEW FILMS FESTIVAL

Espinho, PORTUGAL | Portugal Premiere

NOMINATED - ‘Silver Lynx Award’

BRISBANE INTERNATIONAL FILM FESTIVAL

Brisbane, AUSTRALIA | Australia Premiere

In competition ‘Best International Short Film’

OLDENBURG INTERNATIONAL FILM FESTIVAL

Oldenburg, GERMANY | Germany Premiere

In competition ‘Best Short Film’

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PRESS

“This is an agonizing and heart-breaking short film. The end is a pain that will persist.”

JOURNAL OF RELIGION & FILM | VOL. 27: ISS 1. ARTICLE 17.

“Director Ahmad Alyaseer delivers an outstanding job by showcasing the cultural differences that are really not far from the western world.”

ULKAR ALAKBAROVA | MOVIES MOVE ME

“The Alyaseers hit the nail on the head with their script, and it’s clear that they understand how to reach viewers in a clean-cut and non-divisive way .”

KYLE BAIN | BAIN’S FILM REVIEWS

“An absolute must see. Destined to be one of the best and most haunting films of 2023.”

STEVE KOPIAN | UNSEENFILMS.NET

“It’s compelling enlightening, eye-opening, somber, well-acted 11-minute film.”

WENDY SCHADEWALD | SUN THIS WEEK

“11 Minutes of pure emotion caught on screen.”

CHRIS JONES | OVERLY HONEST MOVIE REVIEWS

“This eleven-minute film deserves hours.”

AUSTIN CHARACTER | DREAMWEAVERARTS.ORG

“The plot is so powerful and timely that it may disturb and haunt many viewers long after the film is done.”

RAMZI SALTI | ARABOLOGY.ORG

“Through its evocative storytelling, the film leaves a lasting impact on its viewers, engaging them in a deeply moving cinematic experience.”

NAVID AZAD | ZIZ.NEWS

Flash photography, Nose, Lip, Chin, Eyebrow, Shoulder, Eyelash, Smile, Mouth, Neck

CAST & CREW

CAST

The Father | Kamel El Basha

The Mother | Shafiqa Al Tal

The Daughter | Tetiana Beras

Male Washer | Mutaz Al Labadi

Female Washer | Sana Saleh

CREW

Director | Ahmad Alyaseer

Writer | Rana Alyaseer and Ahmad Alyaseer

Producer | Mais Salman and Ahmad Alyaseer

Director of Photography | Samer Nimri

Production Designer | Yasmine Nassar

Editor | Abdallah Sada

Music Composer | Philip Hashweh

Co-Producer | Faris Halaseh

1st Assistant Director | Jude Kawwa

Gaffer | Ezz Isleem

Production Manager | Mousa Abboud

Script Supervisor | Natalie Soumbouloglou

Sound Recordist | Nour Halawani

Sound Designer and Mixer | Israel Banuelos

Makeup Designer | Suleiman Tadros

Colorist | Ahmad Ramahi

Casting Director | Mutaz Al Labadi

Flash photography, Sky

DIRECTOR'S STATEMENT

Imagine you live in a society where no one accepts you for who you are, even after your death. It was a night in February 2021 when my sister, Rana, and I met Bousi, a transgender woman from the Arab region, that we wrote this script. Her story stood out to us and was extremely touching. Bousi spent her entire life seeking approval and acceptance from her family, friends and wider community. Eventhough she received legal approval to transition, she was never able to obtain official gender recognition, which increased her vulnerability to systemic discrimination. We wondered what would happen to a transgender person upon their death? Would the discrimination and nonacceptance still prevail ?

I realize there will be resistance to such narratives, but this is rooted in the fear of nonconformity to societal gender and sexual norms, and that’s why we need to make films that challenge those exact sterotypes/ideologies.

As a film writer and director, I want to make films that are bold, spark debate and challenge stereotypes, allowing audiences to think about issues they may not have considered before and shed light on certain taboos in their culture and region, in hopes of fostering empathy and tolerance. And I strongly believe that audiences are ready for films like “Our Males and Females”.

Outerwear, Sleeve

CONTACT US

Director |

Ahmad Alyaseer

aialyaseer@gmail.com

Producer |

Mais Salman

maissalman@gmail.com

Sales Representatives |

Inga Diev - Ouat Media

www.ouatmedia.com

info@ouatmedia.com

Publicist |

Catherine Lyn Scott - London Flair

www.londonflairpr.com

info@londonflairpr.com

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